SOURCE – ‘Echoes of Isolation’ is your first album released through a major label — Frontiers Music S.r.l. — in the underground scene. Are you prepared for this new level of exposure, considering that your previous labels had a different approach?
Nicklas Sonne (vocals, guitar) – We’re definitely ready for it, and honestly, it feels like the right next step. Frontiers Music S.r.l has been incredibly supportive and understands what we’re trying to achieve both musically and conceptually. They have an international reach that gives this album a real chance to be heard on a much larger scale, which is exciting for us. Our previous labels helped us grow and define our identity, but this new chapter allows us to bring our music to a broader audience while still staying true to our vision.
SOURCE – What was the experience like of selecting the songs and producing ‘Echoes of Isolation’?
Nicklas Sonne (vocals, guitar) – The process was both creative and emotional. Since the album explores different psychological struggles, each song needed to feel authentic and distinct. We wrote a lot of material and then carefully selected the songs that best represented the spectrum of human emotion: from anxiety and depression to OCD, paranoia, and trauma. Production-wise, we wanted it to sound cinematic and dynamic, balancing aggression and melody while keeping everything emotionally raw and real.
SOURCE – What was the experience like of performing with the Aarhus Symphony Orchestra, conducted by Peter Ettrup? Could you share more details about the production involved in that event?
Nicklas Sonne (vocals, guitar) – Performing with the Aarhus Symphony Orchestra was a profound experience for us, both musically and emotionally. Peter Ettrup is a phenomenal conductor who really understood how to merge the intensity of metal with the depth of orchestral music. The entire production required careful planning, from rearranging the songs for a full symphonic ensemble to balancing the sound between heavy guitars and classical instruments. Standing on that stage surrounded by such powerful sound was an unforgettable moment.
SOURCE – What was the production process like for the ‘Eternal Descent’ music video?
Nicklas Sonne (vocals, guitar) – ‘Eternal Descent’ was filmed on the road to a show in The Netherlands. We wanted a raw, genuine video that reflected our joy of being on the road, encompassing everything from backstage to the front stage. The whole video was filmed and edited on an iPhone, without any fancy gear, to give it a more authentic feel.
SOURCE – Considering Metallica’s connection with Denmark, how important has the band been in boosting the Danish metal scene from the past decades to the present?
Nicklas Sonne (vocals, guitar) – Metallica’s connection to Denmark has significantly helped put the country on the metal map. Their early ties with Sweet Silence Studios and Flemming Rasmussen created a legacy that still inspires musicians here. The association of a band of that scale with Denmark gave credibility and attention to the scene, thereby opening doors for newer bands like us to be taken seriously internationally.
SOURCE – In your opinion, what are some of the challenges of being a Danish band trying to break into the international touring circuit?
Nicklas Sonne (vocals, guitar) – The biggest challenge is logistics and visibility. Denmark is a small country, and while the music scene is strong, it’s not always easy to enter the larger European or global touring markets. We’ve been fortunate to play internationally, but it takes persistence, networking, and a lot of groundwork. A positive aspect is that the Danish metal scene has a great reputation for quality and professionalism, which helps when we reach out abroad.
SOURCE – How has the streaming model changed your approach to the financial side of album releases? With lower per-stream royalties, how do you supplement your income while staying focused on the creative process?
Nicklas Sonne (vocals, guitar) – Streaming has changed everything. On one hand, it’s amazing because it allows people everywhere to discover your music instantly. But financially, it’s challenging; per-stream payouts are extremely low. We’ve adapted by focusing more on live shows, merchandise, and limited physical releases like vinyl records and art cards. For us, it’s also about building a loyal fanbase that values what we do beyond streaming numbers.
SOURCE – Beyond album promotion, what other plans do you and the rest of the band have?
Nicklas Sonne (vocals, guitar) – Right now, our main focus is bringing “Echoes of Isolation” to as many stages as possible. We’re planning shows both in Denmark and internationally, and we want the live experience to reflect the emotional depth of the album. Beyond that, we’re already working on new material and some special collaborations. 2025 is going to be a big year for Defecto.
Photo Credit: Sebastian Falck Stigsby
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